Portal:The arts

Page semi-protected
From Wikipedia, the free encyclopedia

Portal topics
Activities
Culture
Geography
Health
History
Mathematics
Nature
People
Philosophy
Religion
Society
Technology
Random portal
edit 

T H E   A R T S   P O R T A L

The arts or creative arts are a wide range of human practices of creative expression, storytelling, and cultural participation. They encompass multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.

Prominent examples of the arts include:

They can employ skill and imagination to produce objects and performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)

Featured articles - load new batch

  Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 17th- or 18th-century Hajj certificate showing the Kaaba within the Masjid al-Haram Hajj: Journey to the Heart of Islam was an exhibition held at the British Museum in London from 26 January to 15 April 2012. It was the world's first major exhibition telling the story, visually and textually, of the hajj – the pilgrimage to Mecca which is one of the five pillars of Islam. Textiles, manuscripts, historical documents, photographs, and art works from many different countries and eras were displayed to illustrate the themes of travel to Mecca, hajj rituals, and the Kaaba. More than two hundred objects were included, drawn from forty public and private collections in a total of fourteen countries. The largest contributor was David Khalili's family trust, which lent many objects that would later be part of the Khalili Collection of Hajj and the Arts of Pilgrimage. The exhibition was formally opened by Prince Charles in a ceremony attended by Prince Abdulaziz bin Abdullah, son of King Abdullah, the custodian of the Two Holy Mosques. It was popular both with Muslims and non-Muslims, attracting nearly 120,000 adult visitors and favourable press reviews. This success inspired the Museum of Islamic Art in Doha, the Arab World Institute in Paris, the National Museum of Ethnology in Leiden, and the Tropenmuseum in Amsterdam to stage their own hajj-themed exhibitions with contributions from the Khalili Collection. (Full article...)

    17th- or 18th-century Hajj certificate showing the Kaaba within the Masjid al-Haram

    Hajj: Journey to the Heart of Islam was an exhibition held at the British Museum in London from 26 January to 15 April 2012. It was the world's first major exhibition telling the story, visually and textually, of the hajj – the pilgrimage to Mecca which is one of the five pillars of Islam. Textiles, manuscripts, historical documents, photographs, and art works from many different countries and eras were displayed to illustrate the themes of travel to Mecca, hajj rituals, and the Kaaba. More than two hundred objects were included, drawn from forty public and private collections in a total of fourteen countries. The largest contributor was David Khalili's family trust, which lent many objects that would later be part of the Khalili Collection of Hajj and the Arts of Pilgrimage.

    The exhibition was formally opened by Prince Charles in a ceremony attended by Prince Abdulaziz bin Abdullah, son of King Abdullah, the custodian of the Two Holy Mosques. It was popular both with Muslims and non-Muslims, attracting nearly 120,000 adult visitors and favourable press reviews. This success inspired the Museum of Islamic Art in Doha, the Arab World Institute in Paris, the National Museum of Ethnology in Leiden, and the Tropenmuseum in Amsterdam to stage their own hajj-themed exhibitions with contributions from the Khalili Collection. (Full article...)
  • Image 2 The Thankful Poor is an 1894 genre painting by the African-American painter Henry Ossawa Tanner. It depicts two African Americans praying at a table, and shares common themes with Tanner's other paintings from the 1890s including The Banjo Lesson (1893) and The Young Sabot Maker (1895). The work is based on photographs Tanner had taken, and is influenced by his views on education and race, which were in turn derived from those of his father, Benjamin Tucker Tanner, and the African Methodist Episcopal Church. The painting is considered a milestone in African-American art, notably for its countering of racial stereotypes. Following his return to the United States in 1893, Tanner became more racially aware and chose to use artwork including The Thankful Poor as a means of portraying African-American culture in a dignified manner. The painting received praise from critics upon its exhibition in Philadelphia during the spring of 1894, but it is also Tanner's last African-American genre work as the artist began to focus on biblical scenes. (Full article...)

    The Thankful Poor is an 1894 genre painting by the African-American painter Henry Ossawa Tanner. It depicts two African Americans praying at a table, and shares common themes with Tanner's other paintings from the 1890s including The Banjo Lesson (1893) and The Young Sabot Maker (1895). The work is based on photographs Tanner had taken, and is influenced by his views on education and race, which were in turn derived from those of his father, Benjamin Tucker Tanner, and the African Methodist Episcopal Church. The painting is considered a milestone in African-American art, notably for its countering of racial stereotypes.

    Following his return to the United States in 1893, Tanner became more racially aware and chose to use artwork including The Thankful Poor as a means of portraying African-American culture in a dignified manner. The painting received praise from critics upon its exhibition in Philadelphia during the spring of 1894, but it is also Tanner's last African-American genre work as the artist began to focus on biblical scenes. (Full article...)
  • Image 3 William Burges ARA (/ˈbɜːdʒɛs/; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement. Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. (Full article...)

    William Burges ARA (/ˈbɜːdʒɛs/; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement.

    Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. (Full article...)
  • Image 4 The tomb of Philippe Pot is a life-sized funerary monument, now on display in the Louvre, Paris. It was commissioned by the military leader and diplomat Philippe Pot for his burial at the chapel of Saint-Jean-Baptiste in Cîteaux Abbey, Dijon, France. His effigy shows him recumbent on a slab, his hands raised in prayer, and wearing armour and a heraldic tunic. The eight mourners (pleurants) are dressed in black hoods, and act as pallbearers carrying him towards his grave. Pot commissioned the tomb when he was around 52 years old, some 13 years before his death in 1493. The detailed inscriptions written on the sides of the slab emphasise his achievements and social standing. Pot was a godson of Philip the Good and became a knight of the Golden Fleece. He served under two of the last Valois Dukes of Burgundy, Philip the Good and Charles the Bold. After the latter's defeat by René II, Duke of Lorraine, at the battle of Nancy in 1477, Pot switched allegiance to the French king, Louis XI, who eventually appointed him grand seneschal of Burgundy. He later served under Louis' son Charles VIII. (Full article...)

    The tomb of Philippe Pot is a life-sized funerary monument, now on display in the Louvre, Paris. It was commissioned by the military leader and diplomat Philippe Pot for his burial at the chapel of Saint-Jean-Baptiste in Cîteaux Abbey, Dijon, France. His effigy shows him recumbent on a slab, his hands raised in prayer, and wearing armour and a heraldic tunic. The eight mourners (pleurants) are dressed in black hoods, and act as pallbearers carrying him towards his grave. Pot commissioned the tomb when he was around 52 years old, some 13 years before his death in 1493. The detailed inscriptions written on the sides of the slab emphasise his achievements and social standing.

    Pot was a godson of Philip the Good and became a knight of the Golden Fleece. He served under two of the last Valois Dukes of Burgundy, Philip the Good and Charles the Bold. After the latter's defeat by René II, Duke of Lorraine, at the battle of Nancy in 1477, Pot switched allegiance to the French king, Louis XI, who eventually appointed him grand seneschal of Burgundy. He later served under Louis' son Charles VIII. (Full article...)
  • Image 5 Portrait by Herbert Lambert, c. 1922 Sir Arnold Edward Trevor Bax KCVO (8 November 1883 – 3 October 1953) was an English composer, poet, and author. His prolific output includes songs, choral music, chamber pieces, and solo piano works, but he is best known for his orchestral music. In addition to a series of symphonic poems, he wrote seven symphonies and was for a time widely regarded as the leading British symphonist. Bax was born in the London suburb of Streatham to a prosperous family. He was encouraged by his parents to pursue a career in music, and his private income enabled him to follow his own path as a composer without regard for fashion or orthodoxy. Consequently, he came to be regarded in musical circles as an important but isolated figure. While still a student at the Royal Academy of Music Bax became fascinated with Ireland and Celtic culture, which became a strong influence on his early development. In the years before the First World War he lived in Ireland and became a member of Dublin literary circles, writing fiction and verse under the pseudonym Dermot O'Byrne. Later, he developed an affinity with Nordic culture, which for a time superseded his Celtic influences in the years after the First World War. (Full article...)
    profile head and shoulders of clean-shaven man in middle age
    Portrait by Herbert Lambert, c. 1922

    Sir Arnold Edward Trevor Bax KCVO (8 November 1883 – 3 October 1953) was an English composer, poet, and author. His prolific output includes songs, choral music, chamber pieces, and solo piano works, but he is best known for his orchestral music. In addition to a series of symphonic poems, he wrote seven symphonies and was for a time widely regarded as the leading British symphonist.

    Bax was born in the London suburb of Streatham to a prosperous family. He was encouraged by his parents to pursue a career in music, and his private income enabled him to follow his own path as a composer without regard for fashion or orthodoxy. Consequently, he came to be regarded in musical circles as an important but isolated figure. While still a student at the Royal Academy of Music Bax became fascinated with Ireland and Celtic culture, which became a strong influence on his early development. In the years before the First World War he lived in Ireland and became a member of Dublin literary circles, writing fiction and verse under the pseudonym Dermot O'Byrne. Later, he developed an affinity with Nordic culture, which for a time superseded his Celtic influences in the years after the First World War. (Full article...)
  • Image 6 Pride and Prejudice is a six-episode 1995 British television drama, adapted by Andrew Davies from Jane Austen's 1813 novel of the same name. Jennifer Ehle and Colin Firth starred as Elizabeth Bennet and Fitzwilliam Darcy, respectively. Produced by Sue Birtwistle and directed by Simon Langton, the serial was a BBC production with additional funding from the American A&E Network. BBC1 originally broadcast the 55-minute episodes from 24 September to 29 October 1995. The A&E Network aired the series in double episodes on three consecutive nights beginning 14 January 1996. Critically acclaimed and a popular success, Pride and Prejudice was honoured with several awards, including a BAFTA Television Award for Jennifer Ehle for "Best Actress" and an Emmy for "Outstanding Individual Achievement in Costume Design for a Miniseries or a Special". The role of Mr Darcy elevated Colin Firth to stardom. A scene showing Firth in a wet shirt was recognised as "one of the most unforgettable moments in British TV history". The New York Times called the adaptation "a witty mix of love stories and social conniving, cleverly wrapped in the ambitions and illusions of a provincial gentry". The series inspired author Helen Fielding to write the popular Bridget Jones novels, and their screen adaptations subsequently featured Firth as Bridget's love interest, Mark Darcy. (Full article...)
    Pride and Prejudice is a six-episode 1995 British television drama, adapted by Andrew Davies from Jane Austen's 1813 novel of the same name. Jennifer Ehle and Colin Firth starred as Elizabeth Bennet and Fitzwilliam Darcy, respectively. Produced by Sue Birtwistle and directed by Simon Langton, the serial was a BBC production with additional funding from the American A&E Network. BBC1 originally broadcast the 55-minute episodes from 24 September to 29 October 1995. The A&E Network aired the series in double episodes on three consecutive nights beginning 14 January 1996.

    Critically acclaimed and a popular success, Pride and Prejudice was honoured with several awards, including a BAFTA Television Award for Jennifer Ehle for "Best Actress" and an Emmy for "Outstanding Individual Achievement in Costume Design for a Miniseries or a Special". The role of Mr Darcy elevated Colin Firth to stardom. A scene showing Firth in a wet shirt was recognised as "one of the most unforgettable moments in British TV history". The New York Times called the adaptation "a witty mix of love stories and social conniving, cleverly wrapped in the ambitions and illusions of a provincial gentry". The series inspired author Helen Fielding to write the popular Bridget Jones novels, and their screen adaptations subsequently featured Firth as Bridget's love interest, Mark Darcy. (Full article...)
  • Image 7 Kala is the second studio album by British hip hop artist M.I.A. It was released on 8 August 2007 by XL Recordings. M.I.A. named the album after her mother and said her mother's struggles in life are a major theme of the recording. It was mainly written and produced by M.I.A. and Switch, and features contributions from Timbaland, Diplo, Afrikan Boy and The Wilcannia Mob. M.I.A. initially planned to work with American producer Timbaland for the bulk of the album, but was unable to gain a long-term work visa to enter the US. She hence recorded the album at numerous locations around the world, including India, Angola, Trinidad, Liberia, Jamaica and Australia. M.I.A. and Switch relied heavily on the digital audio workstation Logic Pro and recorded additional vocals and background sounds outside the traditional studio environment. Kala incorporates prominent influences from South Asian music, featuring samples of Bollywood and Tamil cinema. The album draws on various styles, from funk carioca to African folk. The songs are about political themes related to the Third World, including illegal immigration, poverty and capitalism. (Full article...)
    Kala is the second studio album by British hip hop artist M.I.A. It was released on 8 August 2007 by XL Recordings. M.I.A. named the album after her mother and said her mother's struggles in life are a major theme of the recording. It was mainly written and produced by M.I.A. and Switch, and features contributions from Timbaland, Diplo, Afrikan Boy and The Wilcannia Mob.

    M.I.A. initially planned to work with American producer Timbaland for the bulk of the album, but was unable to gain a long-term work visa to enter the US. She hence recorded the album at numerous locations around the world, including India, Angola, Trinidad, Liberia, Jamaica and Australia. M.I.A. and Switch relied heavily on the digital audio workstation Logic Pro and recorded additional vocals and background sounds outside the traditional studio environment. Kala incorporates prominent influences from South Asian music, featuring samples of Bollywood and Tamil cinema. The album draws on various styles, from funk carioca to African folk. The songs are about political themes related to the Third World, including illegal immigration, poverty and capitalism. (Full article...)
  • Image 8 "No Rest for the Wicked" is the sixteenth and final episode of the third season of The CW television series Supernatural, and the show's sixtieth episode overall. Written by series creator Eric Kripke and directed by Kim Manners, the episode was first broadcast on May 15, 2008. The narrative follows the series' protagonists Sam (Jared Padalecki) and Dean Winchester (Jensen Ackles)—brothers who travel the continental United States hunting supernatural creatures—as they attempt to save the latter's soul from damnation. Having made a year-long demonic pact in the previous season finale, Dean has just one day left to live. The brothers must track down the demonic overlord Lilith, who holds Dean's contract. Lilith, meanwhile, is entertaining herself by possessing a young girl (Sierra McCormick) and terrorizing her family, a homage to the Twilight Zone episode "It's a Good Life". Marking the final appearance of Katie Cassidy as the demon Ruby, the episode was originally intended to feature the return of Samantha Ferris as recurring character Ellen Harvelle. The writers initially intended that Sam would save Dean by giving in to his demonic abilities, but the 2007–2008 Writers Guild of America strike prevented the development of that storyline throughout the season. Dean is instead killed; the final scene of him in Hell was the "most complicated shot [the] visual effects department has ever done". (Full article...)
    "No Rest for the Wicked" is the sixteenth and final episode of the third season of The CW television series Supernatural, and the show's sixtieth episode overall. Written by series creator Eric Kripke and directed by Kim Manners, the episode was first broadcast on May 15, 2008. The narrative follows the series' protagonists Sam (Jared Padalecki) and Dean Winchester (Jensen Ackles)—brothers who travel the continental United States hunting supernatural creatures—as they attempt to save the latter's soul from damnation. Having made a year-long demonic pact in the previous season finale, Dean has just one day left to live. The brothers must track down the demonic overlord Lilith, who holds Dean's contract. Lilith, meanwhile, is entertaining herself by possessing a young girl (Sierra McCormick) and terrorizing her family, a homage to the Twilight Zone episode "It's a Good Life".

    Marking the final appearance of Katie Cassidy as the demon Ruby, the episode was originally intended to feature the return of Samantha Ferris as recurring character Ellen Harvelle. The writers initially intended that Sam would save Dean by giving in to his demonic abilities, but the 2007–2008 Writers Guild of America strike prevented the development of that storyline throughout the season. Dean is instead killed; the final scene of him in Hell was the "most complicated shot [the] visual effects department has ever done". (Full article...)
  • Image 9 Rumours is the eleventh studio album by the British-American rock band Fleetwood Mac, released on 4 February 1977 in the United States and on 11 February 1977 in the United Kingdom by Warner Bros. Records. Largely recorded in California in 1976, it was produced by the band with Ken Caillat and Richard Dashut. The recording sessions took place as the band members dealt with breakups and struggled with heavy drug usage, both of which shaped the album's direction and lyrics. Recorded with the intention of making "a pop album" that would expand on the commercial success of the 1975 album Fleetwood Mac, the music of Rumours contains a mix of electric and acoustic instrumentation, accented rhythms, guitars, and keyboards; its lyrics concern personal and often troubled relationships. Its release was postponed by delays in the mixing process. The band promoted the album with a worldwide concert tour. Rumours became the band's first number-one album on the UK Albums Chart and also topped the US Billboard 200. The songs "Go Your Own Way", "Dreams", "Don't Stop", and "You Make Loving Fun" were released as singles, all of which reached the US Top 10, with "Dreams" reaching number one. (Full article...)
    Rumours is the eleventh studio album by the British-American rock band Fleetwood Mac, released on 4 February 1977 in the United States and on 11 February 1977 in the United Kingdom by Warner Bros. Records. Largely recorded in California in 1976, it was produced by the band with Ken Caillat and Richard Dashut. The recording sessions took place as the band members dealt with breakups and struggled with heavy drug usage, both of which shaped the album's direction and lyrics.

    Recorded with the intention of making "a pop album" that would expand on the commercial success of the 1975 album Fleetwood Mac, the music of Rumours contains a mix of electric and acoustic instrumentation, accented rhythms, guitars, and keyboards; its lyrics concern personal and often troubled relationships. Its release was postponed by delays in the mixing process. The band promoted the album with a worldwide concert tour. Rumours became the band's first number-one album on the UK Albums Chart and also topped the US Billboard 200. The songs "Go Your Own Way", "Dreams", "Don't Stop", and "You Make Loving Fun" were released as singles, all of which reached the US Top 10, with "Dreams" reaching number one. (Full article...)
  • Image 10 The Dawn of Love, 1828, 88.8 by 96 cm (35.0 by 37.8 in) The Dawn of Love, also known as Venus Now Wakes, and Wakens Love, is an oil painting on canvas by English artist William Etty, first exhibited in 1828 and currently in the Russell-Cotes Art Gallery & Museum in Bournemouth. Loosely based on a passage from John Milton's 1634 masque Comus, it shows a nude Venus leaning across to wake the sleeping Love by stroking his wings. While Etty often included nude figures in his work, he rarely depicted physical intimacy, and owing to this, The Dawn of Love is one of his more unusual paintings. The open sensuality of the work was intended to present a challenge to the viewer mirroring the plot of Comus, in which the heroine is tempted by desire but remains rational and detached. While a few critics praised elements of its composition and execution, The Dawn of Love was very poorly received when first exhibited. Etty had developed a reputation for painting realistic figures, and his stylised Venus was thought unduly influenced by foreign artists such as Rubens as well as being overly voluptuous and unrealistically coloured, while the painting as a whole was considered tasteless and obscene. The Dawn of Love was not among the 133 paintings exhibited in the major 1849 retrospective exhibition of Etty's works, and its exhibition in Glasgow in 1899 drew complaints for its supposed obscenity. In 1889 it was bought by Sir Merton Russell-Cotes, and has remained in the collection of the Russell-Cotes Art Gallery & Museum ever since. (Full article...)

    The Dawn of Love, 1828, 88.8 by 96 cm (35.0 by 37.8 in)

    The Dawn of Love, also known as Venus Now Wakes, and Wakens Love, is an oil painting on canvas by English artist William Etty, first exhibited in 1828 and currently in the Russell-Cotes Art Gallery & Museum in Bournemouth. Loosely based on a passage from John Milton's 1634 masque Comus, it shows a nude Venus leaning across to wake the sleeping Love by stroking his wings. While Etty often included nude figures in his work, he rarely depicted physical intimacy, and owing to this, The Dawn of Love is one of his more unusual paintings. The open sensuality of the work was intended to present a challenge to the viewer mirroring the plot of Comus, in which the heroine is tempted by desire but remains rational and detached.

    While a few critics praised elements of its composition and execution, The Dawn of Love was very poorly received when first exhibited. Etty had developed a reputation for painting realistic figures, and his stylised Venus was thought unduly influenced by foreign artists such as Rubens as well as being overly voluptuous and unrealistically coloured, while the painting as a whole was considered tasteless and obscene. The Dawn of Love was not among the 133 paintings exhibited in the major 1849 retrospective exhibition of Etty's works, and its exhibition in Glasgow in 1899 drew complaints for its supposed obscenity. In 1889 it was bought by Sir Merton Russell-Cotes, and has remained in the collection of the Russell-Cotes Art Gallery & Museum ever since. (Full article...)
  • Image 11 The Paramount Television Network, Inc. was a venture by American film corporation Paramount Pictures to organize a television network in the late 1940s. The company-built television stations KTLA in Los Angeles and WBKB in Chicago; it also invested $400,000 in the DuMont Television Network, which operated stations WABD in New York City, WTTG in Washington, D.C., and WDTV in Pittsburgh. Escalating disputes between Paramount and DuMont concerning breaches of contract, company control, and network competition erupted regularly between 1940 and 1956, culminating in the DuMont Network's dismantling. Television historian Timothy White called the clash between the two companies "one of the most unfortunate and dramatic episodes in the early history of the television industry." The Paramount Television Network aired several programs, including the Emmy Award-winning children's series Time for Beany. Filmed in Hollywood, the programs were distributed to an ad-hoc network of stations across the United States. The network signed affiliation agreements with more than 50 television stations in 1950; despite this, most of Paramount's series were not widely viewed outside the West Coast. The Federal Communications Commission (FCC), which filed suit against Paramount for antitrust violations, prevented the studio from acquiring additional television stations. Paramount executives eventually gave up on the idea of a television network, and continued to produce series for other networks. In 1995, after four decades of television production for other companies, Paramount re-entered the broadcast network field when the company and Chris-Craft Industries launched the United Paramount Network (UPN), a television network that operated until 2006. CBS Studios now owns Paramount's longtime television division, and it has since founded a second version of Paramount Television under Viacom ownership. Both of these (along with the former WDTV, now KDKA-TV) are now part of Paramount Global. (Full article...)
    The Paramount Television Network, Inc. was a venture by American film corporation Paramount Pictures to organize a television network in the late 1940s. The company-built television stations KTLA in Los Angeles and WBKB in Chicago; it also invested $400,000 in the DuMont Television Network, which operated stations WABD in New York City, WTTG in Washington, D.C., and WDTV in Pittsburgh. Escalating disputes between Paramount and DuMont concerning breaches of contract, company control, and network competition erupted regularly between 1940 and 1956, culminating in the DuMont Network's dismantling. Television historian Timothy White called the clash between the two companies "one of the most unfortunate and dramatic episodes in the early history of the television industry."

    The Paramount Television Network aired several programs, including the Emmy Award-winning children's series Time for Beany. Filmed in Hollywood, the programs were distributed to an ad-hoc network of stations across the United States. The network signed affiliation agreements with more than 50 television stations in 1950; despite this, most of Paramount's series were not widely viewed outside the West Coast. The Federal Communications Commission (FCC), which filed suit against Paramount for antitrust violations, prevented the studio from acquiring additional television stations. Paramount executives eventually gave up on the idea of a television network, and continued to produce series for other networks. In 1995, after four decades of television production for other companies, Paramount re-entered the broadcast network field when the company and Chris-Craft Industries launched the United Paramount Network (UPN), a television network that operated until 2006. CBS Studios now owns Paramount's longtime television division, and it has since founded a second version of Paramount Television under Viacom ownership. Both of these (along with the former WDTV, now KDKA-TV) are now part of Paramount Global. (Full article...)
  • Image 12 Odyssey Number Five is the fourth studio album by the Australian rock band Powderfinger, produced by Nick DiDia and released on 4 September 2000 by Universal Music. It won the 2001 ARIA Music Award for Highest Selling Album, Best Group and Best Rock Album. The album is the band's shortest yet, focusing on social, political, and emotional issues that had appeared in prior works, especially Internationalist. The album produced four singles. The most successful, "My Happiness", reached #4 on the ARIA Singles Chart, won the 2001 ARIA Music Award for "Single of the Year", and topped Triple J's Hottest 100 in 2000. The album also featured "These Days", which topped Triple J's Hottest 100 in 1999. The album ranked at number 1 in Triple J's Hottest 100 Australian Albums of All Time poll in 2011. (Full article...)
    Odyssey Number Five is the fourth studio album by the Australian rock band Powderfinger, produced by Nick DiDia and released on 4 September 2000 by Universal Music. It won the 2001 ARIA Music Award for Highest Selling Album, Best Group and Best Rock Album. The album is the band's shortest yet, focusing on social, political, and emotional issues that had appeared in prior works, especially Internationalist.

    The album produced four singles. The most successful, "My Happiness", reached #4 on the ARIA Singles Chart, won the 2001 ARIA Music Award for "Single of the Year", and topped Triple J's Hottest 100 in 2000. The album also featured "These Days", which topped Triple J's Hottest 100 in 1999. The album ranked at number 1 in Triple J's Hottest 100 Australian Albums of All Time poll in 2011. (Full article...)
  • Image 13 Starship Troopers is a military science fiction novel by American writer Robert A. Heinlein. Written in a few weeks in reaction to the US suspending nuclear tests, the story was first published as a two-part serial in The Magazine of Fantasy & Science Fiction as Starship Soldier, and published as a book by G. P. Putnam's Sons on November 5, 1959. The story is set in a future society ruled by a human interstellar government dominated by a military elite called the Terran Federation. Under this system, only veterans of the military enjoy full citizenship, including the right to vote. The first-person narrative follows Juan "Johnny" Rico, a young man of Filipino descent, through his military service in the Mobile Infantry. He progresses from recruit to officer against the backdrop of an interstellar war between humans and an alien species known as "Arachnids" or "Bugs". Interspersed with the primary plot are classroom scenes in which Rico and others discuss philosophical and moral issues, including aspects of suffrage, civic virtue, juvenile delinquency, and war; these discussions have been described as expounding Heinlein's own political views. Starship Troopers has been identified with a tradition of militarism in US science fiction, and draws parallels between the conflict between humans and the Bugs, and the Cold War. A coming-of-age novel, Starship Troopers also criticizes the US society of the 1950s, arguing that a lack of discipline had led to a moral decline, and advocates corporal and capital punishment. (Full article...)
    Starship Troopers is a military science fiction novel by American writer Robert A. Heinlein. Written in a few weeks in reaction to the US suspending nuclear tests, the story was first published as a two-part serial in The Magazine of Fantasy & Science Fiction as Starship Soldier, and published as a book by G. P. Putnam's Sons on November 5, 1959.

    The story is set in a future society ruled by a human interstellar government dominated by a military elite called the Terran Federation. Under this system, only veterans of the military enjoy full citizenship, including the right to vote. The first-person narrative follows Juan "Johnny" Rico, a young man of Filipino descent, through his military service in the Mobile Infantry. He progresses from recruit to officer against the backdrop of an interstellar war between humans and an alien species known as "Arachnids" or "Bugs". Interspersed with the primary plot are classroom scenes in which Rico and others discuss philosophical and moral issues, including aspects of suffrage, civic virtue, juvenile delinquency, and war; these discussions have been described as expounding Heinlein's own political views. Starship Troopers has been identified with a tradition of militarism in US science fiction, and draws parallels between the conflict between humans and the Bugs, and the Cold War. A coming-of-age novel, Starship Troopers also criticizes the US society of the 1950s, arguing that a lack of discipline had led to a moral decline, and advocates corporal and capital punishment. (Full article...)
  • Image 14 The Museum of Bad Art (MOBA) is a privately owned museum whose stated aim is "to celebrate the labor of artists whose work would be displayed and appreciated in no other forum". It was originally in Dedham, Massachusetts, and is currently in Boston, Massachusetts. Its permanent collection includes over 700 pieces of "art too bad to be ignored", 25 to 35 of which are on public display at any one time. MOBA was founded in 1993, after antique dealer Scott Wilson showed a painting he had recovered from the trash to some friends, who suggested starting a collection. Within a year, receptions held in Wilson's friends' home were so well-attended that the collection needed its own viewing space. The museum then moved to the basement of a theater in Dedham. Explaining the reasoning behind the museum's establishment, co-founder Jerry Reilly said in 1995: "While every city in the world has at least one museum dedicated to the best of art, MOBA is the only museum dedicated to collecting and exhibiting the worst." To be included in MOBA's collection, works must be original and have serious intent, but they must also have significant flaws without being boring; curators are not interested in displaying deliberate kitsch. (Full article...)
    The Museum of Bad Art (MOBA) is a privately owned museum whose stated aim is "to celebrate the labor of artists whose work would be displayed and appreciated in no other forum". It was originally in Dedham, Massachusetts, and is currently in Boston, Massachusetts. Its permanent collection includes over 700 pieces of "art too bad to be ignored", 25 to 35 of which are on public display at any one time.

    MOBA was founded in 1993, after antique dealer Scott Wilson showed a painting he had recovered from the trash to some friends, who suggested starting a collection. Within a year, receptions held in Wilson's friends' home were so well-attended that the collection needed its own viewing space. The museum then moved to the basement of a theater in Dedham. Explaining the reasoning behind the museum's establishment, co-founder Jerry Reilly said in 1995: "While every city in the world has at least one museum dedicated to the best of art, MOBA is the only museum dedicated to collecting and exhibiting the worst." To be included in MOBA's collection, works must be original and have serious intent, but they must also have significant flaws without being boring; curators are not interested in displaying deliberate kitsch. (Full article...)
  • Image 15 Season Episodes Originally aired First aired Last aired 1 22 September 15, 2003 (2003-09-15) May 24, 2004 (2004-05-24) 2 22 September 21, 2004 (2004-09-21) May 24, 2005 (2005-05-24) 3 22 September 22, 2005 (2005-09-22) May 11, 2006 (2006-05-11) (Full article...)
    SeasonEpisodesOriginally aired
    First airedLast aired
    122September 15, 2003 (2003-09-15)May 24, 2004 (2004-05-24)
    222September 21, 2004 (2004-09-21)May 24, 2005 (2005-05-24)
    322September 22, 2005 (2005-09-22)May 11, 2006 (2006-05-11)
    (Full article...)
More featured articles
edit 

Featured picture

Kanō Masanobu
Kanō Masanobu
Zhou Maoshu Appreciating Lotuses, a designated National Treasure of Japan, is a 15th century painting mounted as a hanging scroll by Kanō Masanobu that depicts the 11th century Confucian scholar Zhou Maoshu in a boat floating on a lake with lotuses. Kanō was the chief painter of the Ashikaga shogunate and is generally considered the founder of the Kanō school of painting, which would become the dominant style of painting until the Meiji period.
edit 

Did you know...

Montecito Apartments, Hollywood, California

More did you know

edit 

In this month

Self-portrait of Mary Cassat

More anniversaries
edit 

News

edit 

Featured biography

John Douglas

John Douglas (1830–1911) was an English architect who designed about 500 buildings in Cheshire, North Wales and northwest England, in particular in the estate of Eaton Hall. Douglas' output included the creation, restoration and renovation of churches, church furnishings, houses and other buildings.

His architectural styles were eclectic and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Netherlandish architecture into his works.

Douglas is remembered for his use of half-timbering, tile-hanging, pargeting, decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving. Throughout his career he attracted commissions from wealthy landowners and industrialists.

Most of Douglas' works have survived. The city of Chester contains a number of his structures, the most admired of which are his half-timbered black-and-white buildings and Eastgate Clock. The highest concentration of his work is found in the Eaton Hall estate and the surrounding villages of Eccleston, Aldford and Pulford. (Full article...)

More featured biographies
edit 

Featured audio

Kyrie eleison
An example of Kyrie eleison being performed as a Gregorian chant, directed by Fr. Dariusz Smolarek SAC.
edit 

Selected quote

W. H. Auden
edit 

Categories

Arts categories
Arts categories
Arts
edit 

WikiProjects

Parent project

WikiProjects

Descendant projects

What are WikiProjects?
edit 

Related portals

edit 

Things you can do

edit 

Associated Wikimedia

Discover Wikipedia using portals
Retrieved from "https://en.wikipedia.org/w/index.php?title=Portal:The_arts&oldid=1147811344"